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Taken at Boat Quay, it was shot while I was waiting for a friend, and when I got my photos back from the lab, I was really disappointed with what I did at first. All the blurry photos :(
but after awhile, it didn't seem that bad after all I guess.
Read about the Review for Kodak Elite Chrome - > http://www.lomography.com/magazine/reviews/2011/02/17/kodak-elitechrome-eb-35mm-100-iso
The first anniversary of Analogue Alberta coincided with Worldwide Pinhole Photography Day. We celebrated with an entire weekend of pinhole shooting, starting at Elbow Falls and eventually ending up in downtown Calgary.
This is the first time I have used the pinhole setting on the Diana F+, and I am very happy with the results.
The Qutub Minar is notable for being one of the earliest and most prominent examples of Indo-Islamic architecture. It is surrounded by several other ancient and medieval structures and ruins, collectively known as Qutub complex.
There was some smoke in the air from the fire in the San Jacinto mountains when I shot these which changes the color of the sky. I love how it creates almost a diorama effect in some of the shots. I could have framed some of these better. I'm going to just have to go back.
Underexposed multi layered photo. I can imagine there is a true sense of wonder and isolation soaring above the clouds in a baloon looking down on Earth. There are a lot of reasons this lomograph is one of my favorites. It is my most popular lomograph. It is a double exposure and I love doubles. I also love hot air balloons and hope to one day ride in one.
I dropped my LC-A and as it hit the ground the back popped right open. Damn! Thinking it was broken I managed to rewind what was left of the film and send it to the lab where they developed half the roll.
When got the negs back I found that 2 or 3 of the images weren't developed because I presume the lab thought they were ruined thanks to all the light leaks. So I scanned them myself and this is what came out.
at the start of this year, i had conversations with two of my favourite analogue photographers about a 3-way trifecta film-swap, across 3 continents.. they are hodachrome from japan and grazie from the u.s.. over the past year we have been sending 3 rolls of film around the globe, and recently the first roll was developed: these are a selection from this roll.. do check out their pages for more!
http://www.lomography.com/homes/hodachrome/albums/2048851-quot-trifecta-and-quot-filmswap-with-fotobes-amp-grazie-x-process
http://www.lomography.com/homes/grazie/albums/2048853-trifecta-swap-with-hodachrome-and-fotobes
at the start of this year, i had conversations with two of my favourite analogue photographers about a 3-way trifecta film-swap, across 3 continents.. they are hodachrome from japan and grazie from the u.s.. over the past year we have been sending 3 rolls of film around the globe, and recently the first roll was developed: these are a selection from this roll.. do check out their pages for more!
http://www.lomography.com/homes/hodachrome/albums/2048851-quot-trifecta-and-quot-filmswap-with-fotobes-amp-grazie-x-process
http://www.lomography.com/homes/grazie/albums/2048853-trifecta-swap-with-hodachrome-and-fotobes
at the start of this year, i had conversations with two of my favourite analogue photographers about a 3-way trifecta film-swap, across 3 continents.. they are hodachrome from japan and grazie from the u.s.. over the past year we have been sending 3 rolls of film around the globe, and recently the first roll was developed: these are a selection from this roll.. do check out their pages for more!
http://www.lomography.com/homes/hodachrome/albums/2048851-quot-trifecta-and-quot-filmswap-with-fotobes-amp-grazie-x-process
http://www.lomography.com/homes/grazie/albums/2048853-trifecta-swap-with-hodachrome-and-fotobes
Er ist für mich wirklich erstaunlich dieser Supergraphic HC. Ich habe verstanden, das ich mit ihm starke Kontraste festhalten kann, doch zuviel Licht sollte nicht im Spiel sein, dann kommt das Negativ komplett transparent daher. Und das passiert bei jedem Film mindestens einmal, und ich kratze meinen Kopf.
Wenn man jedoch aus dem Schatten kommt, macht er ganz zauberhafte Dinge. Denn im Kontrast ist er sehr fein. Am ehesten kann man ihn vielleicht dann mit den 25 Iso Filmen von Agfa oder Maco vergleichen. Kodak hat ja auch einen Ektagraphic HC, ich persönlich hatte mal einen für 35mm in der Hand. Im Fotolabor sagte man mir, die waren früher für die Titel bei Diashows angedacht. Dabei hat man eine schwarze Schrift fotografiert, die dann als Negativ im Diarahmen, die Show eingeläutet hat. Hierbei ging es also um die Definition von Kontrast und nichts weiter.
Ob es beim Supergraphic von Rollei genau darum ging, lkann ich mir nicht vorstellen. Warum würde man ihn dann in einem schmucken Holzkasten verticken. Und die Emulsion Ato ist mir auch von anderen Schwarz Weiß Filmen bekannt. Vielleicht ist es einfach ein Hybrid, der im Labor entstanden ist. So eine Ratte mit menschlichem Ohr auf den Rücken. Soll es ja geben...
