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Lomowalk with @sushi_9009 and @bloomchen. | Home developed and expired hybrid processed film. More about HPro2: http://www.lomography.com/magazine/tipster/2011/02/01/handmade-hybrid-processing-hpro
This is one of my favourite lomographs. It gives a good impression of the atmosphere at the festival. It was very crowded at the Killers concert, when these two decided to climb this post in the back of the audience to have a better view of the stage.
http://www.lomography.de/magazine/competitions/2012/12/20/die-sieger-des-lighten-the-dark-wettbewerbs-stehen-fest
http://www.lomography.com/magazine/competitions/2012/10/05/nuit-blanche-rumble-show-us-your-best-night-shots-winners-announcement
Kids are always an interesting subject of my photography. Took these portraits in solo or group during the health caravan project in Kitaotao in the mountainous province of Bukidnon. These young people are cultural bearers of their indigenous peoples' identity as new blood of the Matigsalog tribe. I experimented on this doubles for textures and colors.
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I cross process so much I almost forgot about E6 but I processed these 2 Kodak rolls in E6 and when i saw the colours I decided I'll hardly use CN film anymore, just use slide film and then decide whether to X-Pro or not. The last 2 shots in this album are CN and the colours just don't compare.
Blueskyandhardrock came for a visit in the Emerald City and it was way too short! She came in like an angel...blessed our city with her amazing creative energy..and then flew away. Can't wait for her to return.
Blueskyandhardrock came for a visit in the Emerald City and it was way too short! She came in like an angel...blessed our city with her amazing creative energy..and then flew away. Can't wait for her to return.
