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Another impression of my many strolls through Heidelberg. But it was also a test of one of my Hasselblad magazines on light leakages after servicing. Provia Slide film.
Another impression of my many strolls through Heidelberg. But it was also a test of one of my Hasselblad magazines on light leakages after servicing. Provia Slide film.
Another impression of my many strolls through Heidelberg. But it was also a test of one of my Hasselblad magazines on light leakages after servicing. Provia Slide film.
Another impression of my many strolls through Heidelberg. But it was also a test of one of my Hasselblad magazines on light leakages after servicing. Provia Slide film.
Another impression of my many strolls through Heidelberg. But it was also a test of one of my Hasselblad magazines on light leakages after servicing. Provia Slide film.
Another impression of my many strolls through Heidelberg. But it was also a test of one of my Hasselblad magazines on light leakages after servicing. Provia Slide film.
Another impression of my many strolls through Heidelberg. But it was also a test of one of my Hasselblad magazines on light leakages after servicing. Provia Slide film.
Another impression of my many strolls through Heidelberg. But it was also a test of one of my Hasselblad magazines on light leakages after servicing. Provia Slide film.
Another impression of my many strolls through Heidelberg. But it was also a test of one of my Hasselblad magazines on light leakages after servicing. Provia Slide film.
One of our excursions in Ushuaia was to take the end of the world train, on a section west of the city, which was built in the 19th century by convict prisoners. Here's the second part, shot with a Lomochrome Color '92 film and my Naiad Neptune artlens.
One of our excursions in Ushuaia was to take the end of the world train, on a section west of the city, which was built in the 19th century by convict prisoners. Here's the second part, shot with a Lomochrome Color '92 film and my Naiad Neptune artlens.
One of our excursions in Ushuaia was to take the end of the world train, on a section west of the city, which was built in the 19th century by convict prisoners. Here's the second part, shot with a Lomochrome Color '92 film and my Naiad Neptune artlens.
One of our excursions in Ushuaia was to take the end of the world train, on a section west of the city, which was built in the 19th century by convict prisoners. Here's the second part, shot with a Lomochrome Color '92 film and my Naiad Neptune artlens.
One of our excursions in Ushuaia was to take the end of the world train, on a section west of the city, which was built in the 19th century by convict prisoners. Here's the second part, shot with a Lomochrome Color '92 film and my Naiad Neptune artlens.
One of our excursions in Ushuaia was to take the end of the world train, on a section west of the city, which was built in the 19th century by convict prisoners. Here's the second part, shot with a Lomochrome Color '92 film and my Naiad Neptune artlens.
One of our excursions in Ushuaia was to take the end of the world train, on a section west of the city, which was built in the 19th century by convict prisoners. Here's the second part, shot with a Lomochrome Color '92 film and my Naiad Neptune artlens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
