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Supersampler + Expired Kodak Gold 200. I've tried to create a video with all the shots in sequence. Please check my IG to see the results: https://www.instagram.com/angelo.brandes/
Supersampler + Expired Kodak Gold 200. I've tried to create a video with all the shots in sequence. Please check my IG to see the results: https://www.instagram.com/angelo.brandes/
Supersampler + Expired Kodak Gold 200. I've tried to create a video with all the shots in sequence. Please check my IG to see the results: https://www.instagram.com/angelo.brandes/
Supersampler + Expired Kodak Gold 200. I've tried to create a video with all the shots in sequence. Please check my IG to see the results: https://www.instagram.com/angelo.brandes/
Got a Vitomatic I a from someone who wanted to get rid of of some camera gear on eBay Kleinanzeigen. It was very inexpensive and I expected it to have some flaws. Apparently the light meter was broken (no problem since the camera is fully manual, one can simply use an external light meter) and also the film door on the bottom didn’t close properly. The latter bothered me a bit, because it would just swing open sometimes, which would be a problem if that happened while shooting. However it was really easy to fix, there was a small piece of metal that had to be bent back into place making it possible for the door to lock again. Also, after maybe a day of checking everything the light meter came back to life which was totally unexpected. Quite a nice surprise! Comparing the metering to what my smartphone suggests, it is inaccurate in low light, but in daylight conditions it seems to be relatively usable. So it’s a very well working camera, after all. I like how heavy it is, even if that means that I won’t bring it with me at all times. It’s just as heavy as a proper SLR with a bigger lens, around 740 g. This is unusual for a camera of that size, but it makes it feel rather serious and professional. Looking forward to shooting it again!
Got a Vitomatic I a from someone who wanted to get rid of of some camera gear on eBay Kleinanzeigen. It was very inexpensive and I expected it to have some flaws. Apparently the light meter was broken (no problem since the camera is fully manual, one can simply use an external light meter) and also the film door on the bottom didn’t close properly. The latter bothered me a bit, because it would just swing open sometimes, which would be a problem if that happened while shooting. However it was really easy to fix, there was a small piece of metal that had to be bent back into place making it possible for the door to lock again. Also, after maybe a day of checking everything the light meter came back to life which was totally unexpected. Quite a nice surprise! Comparing the metering to what my smartphone suggests, it is inaccurate in low light, but in daylight conditions it seems to be relatively usable. So it’s a very well working camera, after all. I like how heavy it is, even if that means that I won’t bring it with me at all times. It’s just as heavy as a proper SLR with a bigger lens, around 740 g. This is unusual for a camera of that size, but it makes it feel rather serious and professional. Looking forward to shooting it again!
With 20 rolls to send to the lab (back from Venice), and 6 more already in development, I'm a bit short of photos to publish. 😅 The time has come to shave the ice-cube and while I'm doing this, I might as well get the best out of the worst (or the worst out of the worst): a compilation of my most failed shots for various reasons. The result is obviously not great, but I find it colorful and fun. So, to enter the club of rejected photos, let us begin with the "best (worse) of" light leaks. 😎🌞📸 Avec 20 pellicules à envoyer au labo (de retour de Venise), et 6 autres en cours de développement, je suis un peu à court d'images à publier. 😅 Le moment est venu de faire les fonds de tiroir et tant qu'à faire, autant sortir le meilleur du pire (ou le pire tout court) : une compilation de mes clichés les plus ratés pour raisons diverses. Le résultat n'est pas génial c'est évident, mais je le trouve coloré et amusant. Pour commencer le club des photos mal-aimées, voici le "best (worse) of" des fuites de lumières. 😎🌞📸
With 20 rolls to send to the lab (back from Venice), and 6 more already in development, I'm a bit short of photos to publish. 😅 The time has come to shave the ice-cube and while I'm doing this, I might as well get the best out of the worst (or the worst out of the worst): a compilation of my most failed shots for various reasons. The result is obviously not great, but I find it colorful and fun. So, to enter the club of rejected photos, let us begin with the "best (worse) of" light leaks. 😎🌞📸 Avec 20 pellicules à envoyer au labo (de retour de Venise), et 6 autres en cours de développement, je suis un peu à court d'images à publier. 😅 Le moment est venu de faire les fonds de tiroir et tant qu'à faire, autant sortir le meilleur du pire (ou le pire tout court) : une compilation de mes clichés les plus ratés pour raisons diverses. Le résultat n'est pas génial c'est évident, mais je le trouve coloré et amusant. Pour commencer le club des photos mal-aimées, voici le "best (worse) of" des fuites de lumières. 😎🌞📸
First exposure by Annie (IG: fuuu_shashin) in Hong Kong with Minolta RIVA Zoom 125. Second exposure by @peterboydclark in Australia with Praktica MTL 5B
