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Benedetta Falugi ci lascia sempre senza fiato con i suoi scatti analogici. Abbiamo deciso di farle testare la nuovissima Lomography B&W Potsdam Kino 100 ISO senza dirle nessuna indicazione. Scopriamo le sue prima impressioni su questa pellicola
These are from an old roll of Fujichrome Velvia which was loaded into Canon Sureshot years ago. A holiday trip brought out the camera last year and the film went in with a number of rolls of C-41. No one (not myself or at the lab) noticed and it got mistakenly cross processed. The resulting shots are wonderfully garrish.
In this brand new series, we're celebrating the wonderful women taking the analogue world by storm. Check out Kamila K Stanley, Maya Beano and Jade La Mélancolique!
Second swap from Berlin to Dijon : @guja took the first shot with her Flexaret, rewinded gently, so I took the second shot with mine. Unfortunately Flexaret VI and Flexaret V don't frame the same : the last 2 photos are single shot whereas others pushed me to crop largely. Foma 100 exposed twice at 100, so 50iso developed 8 minutes in Rodinal at 20°C (recipe 10555 from filmdev.org).
Second swap from Berlin to Dijon : @guja took the first shot with her Flexaret, rewinded gently, so I took the second shot with mine. Unfortunately Flexaret VI and Flexaret V don't frame the same : the last 2 photos are single shot whereas others pushed me to crop largely. Foma 100 exposed twice at 100, so 50iso developed 8 minutes in Rodinal at 20°C (recipe 10555 from filmdev.org).
Second swap from Berlin to Dijon : @guja took the first shot with her Flexaret, rewinded gently, so I took the second shot with mine. Unfortunately Flexaret VI and Flexaret V don't frame the same : the last 2 photos are single shot whereas others pushed me to crop largely. Foma 100 exposed twice at 100, so 50iso developed 8 minutes in Rodinal at 20°C (recipe 10555 from filmdev.org).
Second swap from Berlin to Dijon : @guja took the first shot with her Flexaret, rewinded gently, so I took the second shot with mine. Unfortunately Flexaret VI and Flexaret V don't frame the same : the last 2 photos are single shot whereas others pushed me to crop largely. Foma 100 exposed twice at 100, so 50iso developed 8 minutes in Rodinal at 20°C (recipe 10555 from filmdev.org).
Second swap from Berlin to Dijon : @guja took the first shot with her Flexaret, rewinded gently, so I took the second shot with mine. Unfortunately Flexaret VI and Flexaret V don't frame the same : the last 2 photos are single shot whereas others pushed me to crop largely. Foma 100 exposed twice at 100, so 50iso developed 8 minutes in Rodinal at 20°C (recipe 10555 from filmdev.org).
Second swap from Berlin to Dijon : @guja took the first shot with her Flexaret, rewinded gently, so I took the second shot with mine. Unfortunately Flexaret VI and Flexaret V don't frame the same : the last 2 photos are single shot whereas others pushed me to crop largely. Foma 100 exposed twice at 100, so 50iso developed 8 minutes in Rodinal at 20°C (recipe 10555 from filmdev.org).
Second swap from Berlin to Dijon : @guja took the first shot with her Flexaret, rewinded gently, so I took the second shot with mine. Unfortunately Flexaret VI and Flexaret V don't frame the same : the last 2 photos are single shot whereas others pushed me to crop largely. Foma 100 exposed twice at 100, so 50iso developed 8 minutes in Rodinal at 20°C (recipe 10555 from filmdev.org).
Riccardo Lancia è un fotografo professionista ritrattista. Per il suo ultimo shooting ha utilizzato il Daguerreotype Achromat 2.9/64 Art Lens per immortalare in modo pittorico la sua modella! Scopri gli scatti che ha realizzato!
Abbiamo voluto intervistare Anthony e Alessia, due fotografi accomunati dalla passione per la fotografia analogica, per sapere qualche cosa di più sul loro progetto a quattro mani. Condividere un progetto con qualcuno non è semplice e può rivelarsi una vera sorpresa.
In alto i calici Abbiamo creato uno speciale cocktail di creatività per per far ubriacare il tuo rullino color negative da 35 mm. Questi scatti ubriachi con i loro colori intrippati sapranno per certo solleticare le vostre papille gustative.
Golden Hour un fugace momento della giornata che si verifica poco dopo il tramonto e poco prima dell’alba, quando la luce del sole acquista un colore appunto dorato. Abbiamo raccolto alcuni consigli per fotografare con l’obiettivo artistico Daguerreotype Achromat!
